By Dennis D. Rooney I described the PBCMF’s inaugural concert of its 26th season as a “feast.” The second program, which I heard Sunday at Delray Beach's Crest Theatre, seemed more like a tasting menu with a few amuse-bouches. An interesting Trio in C, Op. 33 No. 2 for bassoon, violin and cello by François-René Gebauer opened the program. The composer (1773-1845) was a … [Read more...]
Palm Beach Chamber Music Festival I: A rich, inventive program, excellently played
By Dennis D. Rooney The program of the inaugural concert of the Palm Beach Chamber Music Festival’s 26th season (which I heard Sunday at the Crest Theatre in Delray Beach) was opened by the organization’s three founders: flutist Karen Fuller Dixon; clarinetist Michael Forte; and bassoonist Michael Ellert, who performed a Divertimento in B-flat (Op. 12a) by Joachim Kötschau, … [Read more...]
A charming, colorful ‘Vixen’ at Miami Music Festival
By Dennis D. Rooney Leoš Janáček’s operas, particularly Jenůfa and Káťa Kabanová, have now become established repertory works, albeit still at the fringes. The Cunning Little Vixen, from 1924, is one of his most accessible. The composer based the libretto on a story first told in comic strip form in Lidové noviny, his hometown newspaper in Brno, the Moravian capital. … [Read more...]
Palm Beach Chamber Music Festival launches 26th summer season
For the past 25 summers, local musicians have come together in three different parts of Palm Beach County for a four-week series of 12 concerts of chamber music, much of it unusual and rarely heard, though always worthy. The Palm Beach Chamber Music Festival, which debuted in 1992 at the Duncan Theatre, returns for another summer starting tomorrow night at the Persson … [Read more...]
Miami Music Festival’s fourth season includes Heggie opera, orchestral bash for Fourth
Starting tonight, the Miami Music Festival begins presenting productions from its Opera Institute, opening with Jacques Offenbach’s The Tales of Hoffmann. The opera repeats Saturday and alternates Friday night and Sunday afternoon with Leos Janacek’s The Cunning Little Vixen. Both operas will be presented at the festival’s home base at Barry University in Miami Shores, but … [Read more...]
Mainly Mozart closes with evocative, engaging ‘Jewish Bride’
For the past four years, the Mainly Mozart Festival in Coral Gables has ended its summer concerts of chamber music with a multimedia, multidisciplinary finale that includes video, guest artists and world premiere dances choreographed by a member of the Miami City Ballet. For as ambitious as that sounds, it’s a workable formula. Audiences show up in large numbers on a late … [Read more...]
Eloquent Debussy stands out in pianist Salov’s recital
By Dennis D. Rooney A Ukrainian native now residing in Montréal, Québec, Serhiy Salov’s shoulder-length hair and all-black dress bore more than a casual resemblance to Franz Liszt. But that virtuoso pianist composer’s music was not on the program of Mozart and Debussy that Salov played at the Mainly Mozart Festival XXIV on June 11 at the Alhambra Ballroom in Coral Gables’s … [Read more...]
Morikami to teach traditional Japanese instruments at summer camp
Since the opening of Japan to the West in 1868, the residents of that island nation arguably have sought more often to achieve excellence in Western styles of music instead of their own indigenous sonic heritage. But native Japanese music remains an important part of the culture, and this month, the Morikami Museum and Japanese Gardens in western Delray Beach will bring it … [Read more...]
In Detroit, Wynton Marsalis’s best piece
DETROIT — The compositions of Wynton Marsalis now extend to a substantial catalog in jazz and classical genres that includes many works for jazz ensembles, oratorios (Blood on the Fields, All Rise), a string quartet, sacred works (In This House, The Abyssinian Mass), numerous film and dance scores and four symphonies. This is a hugely impressive accomplishment, and the bulk … [Read more...]
Core Ensemble explores gender, mystery of ‘Mona Lisa’
Write about the Mona Lisa, and chances are some variation of the word “enigma” will be pulled out of your authorial toolbox. Although Leonardo da Vinci probably didn’t mean to make Lisa del Giocondo (née Gherardini) mysterious when he painted the cloth merchant’s wife in 1503, it has always struck viewers that way, and no doubt that has helped encourage speculation about who … [Read more...]