With several chamber orchestras filling the symphonic gap in this part of the state, the South Florida Symphony offers a full-size group, which gives it the opportunity to present the largest works of the repertoire. And so it was on Sunday night at the Spanish River Worship Center in Boca Raton that a huge orchestra sat on the stage for a performance of the Symphonie … [Read more...]
Danish String Quartet’s Beethoven superb at Broward Center
By Robert Croan There’s no getting around it. Beethoven’s string quartets are tough stuff: monuments of Western music, worth the effort to unravel their joys and depths and mysteries, but really tough stuff. They’re tough on the ears, on the intellect and on the psyche. Throughout his life, the iconic and complex composer sketched his musical thoughts first in his 32 … [Read more...]
Pärt’s ‘Passio’ gets rigorous Seraphic Fire reading
As we move further past the high-water mark of minimalism, the stature of its major practitioners can be seen more clearly in our rearview. A performance Saturday night of the Passio, a 1982 setting of the Passion according to St. John by the eminent Estonian composer Arvo Pärt, now 82, brought something particular about Pärt’s work into high relief: He is the purest and … [Read more...]
Strong premiere, solid Brahms stand out at ACO’s season closer
By Dennis D. Rooney The Atlantic Classical Orchestra concluded its 28th season and its second with Music Director David Amado on Wednesday with a program that balanced a new work with a standard symphony and a not entirely familiar 20th-century piano concerto. The world premiere of Facets of Motion, commissioned by the Atlantic Classical Orchestra and winner of the 2018 … [Read more...]
Patronizing format gets in the way of good Symphonia performance
By Dennis D. Rooney The Symphonia Boca Raton made its first appearance March 27 in Old School Square’s Crest Theatre, and the orchestra sounded far better there than my two previous encounters with it, both of which were amplified concerts at Mizner Park. There, they could not be fairly or accurately judged due to the distortion of the amplification. Although the Crest’s … [Read more...]
Electronic glitches mar Irerra Brothers’s Duncan recital
By Dennis D. Rooney The Irerra Brothers – John (violin) and Joseph (piano) – are alumni of the Eastman School of Music in Rochester, from which they graduated in the class of 2016, both with DMA degrees. Their recital March 21 closed the 31st season of concerts at Duncan Theatre’s Stage West on the campus of Palm Beach State College in Lake Worth. The program was nicely … [Read more...]
Composer Lash readies for ACO world premiere
To say that music is organized sound in motion is merely to say something obvious and non-controversial about it. But for composer Hannah Lash, the idea of movement is central to the very bones of her artistic project. Lines, harmonies and intervals constantly shift and alter in a relatively generous sonic environment that is tonal without being retrograde. “What was … [Read more...]
Bell, Academy of St. Martin in the Fields splendid in familiar works
By Robert Croan England’s Academy of St. Martin in the Fields is arguably today’s No. 1 chamber orchestra, but it was likely the presence of its music director and violin soloist, Joshua Bell, that brought a sizable crowd to the Au-Rene Theater in Fort Lauderdale on March 25. This was the second of three concerts in the season’s admirable and valuable Broward Center … [Read more...]
Seraphic Fire plays it cool with Brahms, other Romantics
By Dennis D. Rooney Seraphic Fire, now in its 16th season, has performed to growing acclaim in its South Florida home. Its March 18 program, titled Liebeslieder Waltzes, was devoted to vocal music designed primarily for domestic entertainment. Accomplished amateur singers and players in the 19th century would gather to make music at a time when there were no recordings. … [Read more...]
Beautiful new ‘Figaro’ charms at Palm Beach Opera
A good production of Le Nozze di Figaro that doesn’t get in the way of its music can demonstrate to its audience this work’s surprising modernity, even rooted as it is in the late 18th century. It’s Mozart who speaks to us most clearly from his 1786 vantage point, writing a kind of operatic music that lives and breathes with its characters, a music that mirrors their manic … [Read more...]