By Dale King Elmar Oliveira says he feels “incredibly fortunate to have had a really terrific career” as a master of the violin, performing with talented individuals and orchestras and capturing awards around the globe. To this day, he remains the only American to win the Gold Medal at Moscow’s Tchaikovsky International Competition, which he did in 1978. “As part of … [Read more...]
PB Symphony’s opening Beethoven concert a mixed bag
By Dennis D. Rooney The year 2020 is the 250th anniversary of the birth of Ludwig van Beethoven, so we’re going to hear lots of his music this season. The Palm Beach Symphony and Music Director Gerard Schwarz chose to inaugurate its 46th season with an all-Beethoven program Dec. 8 at the Kravis Center. Horacio Gutiérrez was soloist in the opening Piano Concerto No. 4 … [Read more...]
PB Opera’s ‘Hansel’ makes deft use of small Crest surroundings
By Dennis D. Rooney Those of us who as children read the Grimm Fairy Tales, or better yet, had them read to us, know all about creepy castles, evil forests, wicked stepmothers, wily foxes and sanguinary wolves, ungrateful kings, scheming dwarfs, and other bad actors we came to know from the folk tales collected by Jakob and Wilhelm Grimm in the early 19th century. There … [Read more...]
PB Opera’s ‘Hansel’ explores world of play, menace on a set made of paper
In the Palm Beach Opera’s upcoming trip to the land of make-believe, everything is made of paper and grommets are our friend. If that sounds odd, how about this: For its December production, which in past years has amounted to such things as outdoor concerts and presentations of huge symphonic works including Beethoven’s Ninth Symphony and Verdi’s Requiem, the company is … [Read more...]
‘Giovanni’ opens FGO’s 79th season in distinctive style
Although Lorenzo Da Ponte’s reading of the character best known as Don Juan is that he is an unrepentant rake who deserves perdition with a capital P, today’s opera directors have a dilemma on their hands: How exactly are we to understand Don Giovanni? As the focus of one of Mozart’s finest operas, it’s a crucial question. I’ve seen him depicted as a Las Vegas crime lord in … [Read more...]
Oz Noy in Boca: Too little of a superb thing
Israel-born, Manhattan-based jazz/fusion guitarist Oz Noy returned from an overseas tour in late October, having played across Europe, the Czech Republic and Russia in a trio with renowned band mates in bassist Jimmy Haslip and drummer Dennis Chambers. Noy’s first dates upon his return to the United States were 6:30 and 9:30 p.m. trio shows Nov. 5 at the Funky Biscuit in … [Read more...]
Seraphic Fire gives 12th-century mystic the respect she deserves
Posthumous fame came very late for the German abbess Hildegard of Bingen, but her rediscovery in the late 20th century some 800 years after she died has been a salutary achievement for the appreciation of early music and the music of women composers. That isn’t to say that Hildegard’s idiom, which consists of her own special style of plainchant, blends smoothly into the … [Read more...]
Superb performances a highlight at Zimmermann’s
By Dennis D. Rooney The attendees of Zimmermann’s Café Chamber Music (whose motto is “Music Written Today; Composers Here and Now,”) are an amiable group who gathered patiently in the quiet space of St. Andrew’s on Oct. 27 to wait until the doors of Frazell Hall (a/k/a social hall or fellowship hall) opened at about 3:45 p.m., whereupon they took seats at about a dozen … [Read more...]
Grateful Dead drummer Hart brings his artwork, consciousness to South Florida
Drummer Mickey Hart’s name will always conjure up imagery of the Grateful Dead, the ground-breaking, San Francisco-launched act he joined in 1967. With elements of rock, blues, jazz, bluegrass and country music, and a massive legion of loyal Deadheads as a traveling following, the group launched an ongoing musical movement as the ultimate 20th-century jam band. The Grateful … [Read more...]
Singer searches for man inside the myth of Don Giovanni
By Robert Croan Mozart’s Don Giovanni was special from the time of its premiere in Prague in 1787: a great drama told in great music, with the combination amounting to something more than either would be on its own. Balancing comic and tragic elements in equal proportions, Mozart and his librettist Lorenzo Da Ponte called the opera a dramma giocoso (playful drama), … [Read more...]