Decorous and idealized, My Policeman updates the kinetic love triangle of François Truffaut’s Jules & Jim in a style more befitting the old Masterpiece Theatre. While the situation it depicts is precipitous, it’s a film that only suggests cliffs and edges, approaching them only to turn tail. As an LGBTQ film angling for a mainstream audience, it’s far too polite to be bold, yet … [Read more...]