The first thing you need to know about Stephen Brown’s new play, Everything is Super Great, is that the title is facetious. In fact, nearly everything is pretty awful for the four disconnected characters that populate this “comedy about what’s missing.” For each of them has a void in his life, a missing person or a stunted relationship that keeps his or her existence … [Read more...]
Reduced-forces ‘Sweeney’ still packs fierce punch at Zoetic Stage
Ever since Stephen Sondheim and Hugh Wheeler’s bloody brilliant, massive, large-cast Sweeney Todd: The Demon Barber of Fleet Street arrived on Broadway in 1979, subsequent takes on the show have grappled with how to deliver its oversized emotions and exquisite score on a reduced scale. That presents an enticing challenge for a director, as Patrick Fitzwater of Slow Burn … [Read more...]
Zoetic Stage’s ‘Fun Home’ a powerful journey
Alison Bechdel is deeply conflicted about her relationship with her father. As she puts it early in the remarkable musical Fun Home, “My dad and I were exactly alike. My dad and I were nothing alike.” That seeming contradiction defines the crux of the show, Alison’s struggle with her sexual identity and anguish over coming out as a lesbian to her parents. … [Read more...]
McKeever’s ‘After’ a taut, powerful look at bullying
Extremely prolific South Florida playwright Michael McKeever has now written two plays ripped from the headlines, yet humanized for increased impact. His earlier Daniel’s Husband, which concerns itself with gay marriage and the legal complexities of that institution, is off-Broadway-bound this spring. His latest, called simply After, is about bullying and school violence. It … [Read more...]