For the past 46 years, the theatrical image that many of us have had of poet Emily Dickinson has come from William Luce’s one-woman play, The Belle of Amherst, and from Julie Harris’s Tony Award-winning, definitive performance in the role. But now, aided by new information about Dickinson uncovered in the intervening years, Palm Beach Dramaworks and actress Margery Lowe are … [Read more...]
After scoring virtual COVID hit, Dramaworks brings ‘Belle of Amherst’ back to stage
You could call the production of William Luce’s 1976 one-woman play, The Belle of Amherst, which will open Friday at West Palm Beach’s Palm Beach Dramaworks a revival for the company, because it streamed a filmed version last summer during the COVID-19 shutdown of live theater. But Margery Lowe, who plays poet Emily Dickinson both then and now, would disagree. “I feel … [Read more...]
Dramaworks emerging from lockdown with robust 2021-22 season
Early last year, when the pandemic we have come to know as COVID-19 first hit, disrupting the nation’s live theaters, closing their doors and halting their seasons, Bill Hayes of Palm Beach Dramaworks did the opposite of almost every other non-profit stage company. “One thing I had noticed very early on is many non-profits were immediately soliciting for funds,” says the … [Read more...]
Dramaworks returns, virtually, with Dickinson show ‘Belle of Amherst’
There are two plays that feature Emily Dickinson and by early April Margery Lowe will have played the reclusive poet in both. Three years ago, the area actor appeared at Palm Beach Dramaworks in the world premiere of Edgar and Emily, Joseph McDonough’s fanciful and improbable meeting of Dickinson and Edgar Allan Poe. Lowe returns to the character April 2- 6 in the better … [Read more...]
Maltz cast shines in Simon’s ‘Brighton Beach Memoirs’
There has never been, and in all likelihood will never be, an American playwright as commercially successful as the late Neil Simon. From his Broadway debut in 1961 with Come Blow Your Horn, he has convulsed audiences in laughter season after season. But it wasn’t until 22 years later, with Brighton Beach Memoirs, that he eased up on his joke reflex, explored his own … [Read more...]
Lead actors keep madness of ‘Blue Leaves’ in canny check at Dramaworks
By Dale King The House of Blue Leaves, the darkly seriocomic John Guare play, is appropriately apt as the finale for Palm Beach Dramaworks’ 19th season. The show that packed the West Palm Beach venue on opening weekend homes in on characters who desperately want their hopes and dreams to work. But a realistic assessment says they probably won’t happen. The Obie … [Read more...]
Actors lift slight but promising ‘Edgar & Emily’
Palm Beach Dramaworks, the area’s most literary stage company, usually traffics in classic American plays. This season, however, it has developed and premiered a couple of new works, both centered on unexpected match-ups – and mash-ups – between iconic writers. In December, Dramaworks unveiled Terry Teachout’s Billy and Me, an exploration of professional jealousy … [Read more...]
In this play, Poe and Dickinson meet on the field of art
There is no evidence that reclusive Emily Dickinson and master of the macabre Edgar Allan Poe ever met. But that did not stop Joseph McDonough from introducing them to each other in his two-character play, aptly titled Edgar & Emily, receiving its world premiere at Palm Beach Dramaworks beginning Saturday, March 31. “I mean, I did my research and I think everything I talk … [Read more...]
Powerful ‘If I Forget’ stuns at GableStage
These days, we cling to our memories, worried that without them we will drift into dementia. But in his latest controversial book, fictional professor of Jewish studies Michael Fischer argues that American Jews need to forget – forget the Holocaust and stop obsessing over it for the sake of their mental health and general well-being. Not surprisingly, perhaps, he … [Read more...]
‘Arcadia’ a feast of intellectual riches at Dramaworks
Far too many evenings of theater leave one hungry for mental nourishment. Then there are the plays of Tom Stoppard, who challenges the brain with heady subject matter and tickles the funny bone with audacious wordplay. Introduced to the world in 1966 with Rosencrantz and Guildenstern Are Dead, his deconstruction of Hamlet by way of Waiting for Godot, Stoppard was long … [Read more...]