By Robert Croan Seraphic Fire’s third annual Enlightenment Festival – two weekend programs each performed in four South Florida venues – is devoted to the church cantatas of Johann Sebastian Bach, some of the most sublime music in the Western civilization canon. It’s also some of the most difficult music for present-day performers, technically and stylistically, but with … [Read more...]
Seraphic Fire’s 20th opens with splendid Monteverdi, Coleridge-Taylor
By Marcio Bezerra One of the crown jewels of South Florida’s performing arts scene, the choral ensemble Seraphic Fire is celebrating its 20th season with a series of seven concerts that promises to be a real treat to its faithful followers. The celebration started at the highest level this past weekend with multiple performances of selections from Claudio Monteverdi’s … [Read more...]
Seraphic Fire tackles challenge of Bach cantata program worthily
By Dennis D. Rooney One of the most memorable aspects of Seraphic Fire’s all-Bach program, which took place Feb. 27 at St. Gregory's Espicopal Church in Boca Raton, was the striking impression made by the large stained-glass sanctuary window behind the singers and players. Two Bach cantatas (Nos. 62 and 147) and the Mass in G minor (BWV 235), composed the program, which … [Read more...]
Splendid ‘Acis and Galatea’ closes Seraphic Fire’s Enlightenment Festival
By Robert Croan “Happy we!”/”Wretched lovers!”/”Galatea, dry they tears!” That’s the plot, in a nutshell, of Acis and Galatea, Handel’s pastorale opera, first performed in London in 1718, given a rare (and splendidly realized) revival by Seraphic Fire to conclude the group’s two-week Enlightenment Festival in South Florida. The shepherd Acis and the sea nymph … [Read more...]
Soloists enlighten Seraphic Fire’s secular Bach cantatas
By Robert Croan The Enlightenment, also known as the Age of Reason, gave rise to individual freedoms that we now take for granted, among them the revolutionary concepts of liberty, equality and brotherhood. The splendid South Florida vocal-instrumental ensemble Seraphic Fire, founded and directed by Patrick Dupré Quigley, is celebrating these ideals – no less timely … [Read more...]
Seraphic Fire gives 12th-century mystic the respect she deserves
Posthumous fame came very late for the German abbess Hildegard of Bingen, but her rediscovery in the late 20th century some 800 years after she died has been a salutary achievement for the appreciation of early music and the music of women composers. That isn’t to say that Hildegard’s idiom, which consists of her own special style of plainchant, blends smoothly into the … [Read more...]
Seraphic Fire’s women stellar in all-Vivaldi program
Late in his life, he was “an old man with a mania for composing,” but the Rev. Antonio Vivaldi’s musical productivity was also stoked by his decades of service on behalf of the conservatory-orphanage for girls and women known as the Ospedalle della Pietà in his native Venice. Novelists and filmmakers have been unable to resist the salacious possibilities of a red-haired … [Read more...]
Two premieres add breadth to Seraphic Fire Christmas
Seraphic Fire’s Christmas concerts have become more than a South Florida tradition over the Miami choir’s 17 seasons. This year’s holiday program was first heard in Vermont and Connecticut at the beginning of the mnnth before the group returned home and opened a long series of Christmas concerts that will last through Dec. 16. The singers opened their Florida shows Thursday … [Read more...]
Pärt’s ‘Passio’ gets rigorous Seraphic Fire reading
As we move further past the high-water mark of minimalism, the stature of its major practitioners can be seen more clearly in our rearview. A performance Saturday night of the Passio, a 1982 setting of the Passion according to St. John by the eminent Estonian composer Arvo Pärt, now 82, brought something particular about Pärt’s work into high relief: He is the purest and … [Read more...]
Seraphic Fire’s ‘St. Matthew Passion’ simply glorious
By Robert Croan You don’t have to be a believer to be moved – overcome with emotion, even – by J.S. Bach’s St. Matthew Passion. Although Bach composed this work for a Lutheran Good Friday service in 1727, repeating it with revisions in subsequent years, it has survived as a concert work. Patrick Dupré Quigley, director of Seraphic Fire’s splendid South Florida … [Read more...]