Intellectually stimulating, abundantly rewarding and furiously relevant, Todd Field’s Tár is a work of such herculean achievement that I can hardly deign to do it justice. While it remains to be seen if it will top my list of the best films of 2022, it is superior to anything I saw last year, with the possible exception of Apichatpong Weerasethakul’s Memoria, of which it … [Read more...]