Was there a better year for slow cinema and Delphine Seyrig than 1975? That was, most famously, the year Jeanne Dielman, reviewed last month here on ArtsPaper, burrowed into theaters and helped change the way movies could be made. Astonishingly, though, it’s not even the most radical Seyrig vehicle to be released that year. That honor goes to India Song, the novelist Marguerite … [Read more...]
The View From Home: The minimalist perfection of ‘Jeanne Dielman’
“A lonely widow turns to prostitution to make ends meet.” This one-sentence synopsis offered by HBO Max for its presentation of Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles, is as literally accurate as it as tonally, emotionally, thoroughly misleading. It suggests that Chantal Akerman’s 1977 masterpiece could be a humanist melodrama, the sort of hardscrabble women’s … [Read more...]
The View From Home: Rivette’s subtle, rewarding ‘Gang of Four’
What would a Hitchcock thriller look like if it were stripped of all of its suspense — its capital-E entertainment? As a director of mainstream, if fussily curated, studio pictures, the maestro himself arguably never attempted such a gnomic exercise, the male gaze-y avenues of Vertigo notwithstanding. I believe such a thought experiment would resemble Jacques Rivette’s … [Read more...]
The View From Home: Catching up with Criterion: Lean, Kwan and Franklin
It’s been years since I’ve perused Blu-rays from the gold standard of art-house cinema, the Criterion Collection. With diverse and exciting titles continuing apace from this vital distributor, it seemed high time to revisit its ever-expanding catalog. These three new summer releases, all loaded with generous bonus features, offer a welcome return. Venice has never received a … [Read more...]
The View From Home: ‘Offseason’ an atmospheric chiller with an all-too-familiar setting
Writer-director Mickey Keating’s confident and chilling horror feature Offseason ($28.96 Blu-ray, $27.97 DVD, and streaming on Shudder) is set in a community called Lone Palm Beach. Lone Palm Beach is an isolated island off the coast of the Eastern United States, accessible by bridge, that jolts to life only during high tourist season. Its few year-round residents — all of them … [Read more...]
The View From Home: A bracing, anti-nativist love story; a ‘90s art-house classic of urban longing
Call it love in the time of nativism. Darkly comic and fretfully relevant, Bulgarian writer-director Ivaylo Hristov’s Fear (Film Movement, $24.95 DVD) exists on a pitch-black nexus between satire and documentary. It’s set in a seaside village along the Turkish border, where the locals are bracing for a brutal winter. Signs of life are scant, as fog blankets skeletal trees, … [Read more...]
The View From Home: ‘Dementia’ a brilliant, experimental plunge into psychosis
It’s safe to say there’s never been a film, before or since, quite like John Parker’s 1953 psychodrama Dementia (now on Blu-ray from Cohen Film Collection, $19.99). An uncanny marriage of avant-garde cinema, horror and noir, it was somehow both ahead of its time and, boldly, behind it: Parker shot it as a silent film, without intertitles, in an era when such an approach was … [Read more...]
The View From Home: A new DVD collection resurrects the paranoid Atomic Age
As a longtime devotee of Mystery Science Theater 3000, I expected to encounter a familiar brand of B-movie schlock with the new triple-feature DVD Drive-In Retro Classics (Corinth, $22.99). The cover art depicts a man gleefully shooting death rays from his eyes, and the titles — The Brain From Planet Arous, The Hideous Sun Demon — seem ripe for riffing. The biggest surprise … [Read more...]
The View From Home: Restored ‘La Dolce Vita’ laughs all the way to the apocalypse
There may be no better example of a film’s prologue forecasting its themes than the exhilarating aperitif that opens La Dolce Vita. A helicopter, its heavy cargo suspended from wires, delivers a statue of Christ to its final destination in St. Peter’s Square. Trailed by a second copter of tabloid reporters and photographers, the spectacle traverses an ancient Roman aqueduct, … [Read more...]
The View From Home: A shattering colonialist neo-Western, and ennui on the French Riviera
The most innovative foreign-language films often are not the ones jostling for the five coveted slots on the Academy Award ballot. They’re the films with miniscule if any distribution, that drop on DVD or a streaming service with little fanfare. Memory House (Film Movement, $24.95 DVD, $3.99 digital rental), the stunning debut from Brazilian writer-director João Paulo … [Read more...]