In the movies, as sometimes in life, thinking with one’s loins instead of one’s brain is a recipe for fatalism, for broken families, for dead rabbits strung up in closets. Like a computer virus infecting our operating system, it overrides our better judgment. Sarah (Sivane Kretchner), the unhappily married, upper-middle-class Israeli café owner in Muayad Alayan’s grim … [Read more...]