Sicario is deeply unsettling in a way that few films are. A grisly crime thriller where most of the violence occurs just off-camera, it’s driven more by atmosphere than story, and its tone is implacable and hypnotic. It’s a two-hour dreamfilm — nay, a nightmare film — where logic is irrelevant, where everyone but the main character is sociopathic, where death’s scythe lingers … [Read more...]