Tom Hardy, who has proved in recent years that he could be the Bane of Batman’s existence and that he could carry an entire movie alone in a car (this past spring’s inventive Locke), reveals, in The Drop, another compelling facet of his actorly toolbox: the noir patsy. As Bob Saginowski, a bartender at a New York City watering hole that doubles as a “drop site” for bookmaking … [Read more...]