Giacomo Puccini’s Tosca is, with the exception of the one-act Il Tabarro, the most veristic of the Italian composer’s works, and it needs a lot of good red blood to make it work. I don’t mean literal blood, of course, though there could have been some in several spots in the opera Saturday night at the Broward Center for the Performing Arts, but the figurative kind: A … [Read more...]