Bohemian Rhapsody, Bryan Singer’s biopic of Freddie Mercury, is nothing if not a linear recitation of events. The best of Queen’s music approached poetry, but Singer’s film sits comfortably as prose, occasionally the stilted kind. Just look at the first scene after its credit sequence: The young Freddie (Rami Malek), then known by his birth name Farrokh (Bulsara), is one of … [Read more...]