By Rosie Rogers Florida Grand Opera closed out its season this month with an ambitious production of Handel’s Agrippina. First performed in 1709, the 313-year-old Agrippina is a tongue-in-cheek tale of political ambition and sexual competition. This production made an admirable musical effort inside of an interesting, if somewhat confusing, framing device. This Agrippina … [Read more...]
PB Opera’s ‘Carmen’ a study in strong women
By Rosie Rogers What kind of woman is Carmen? Since the premiere of Georges Bizet’s Carmen in 1875 she has been many different things. She can be a dangerous femme fatale, a proto feminist icon, or just another operatic woman doomed to die. In Palm Beach Opera’s Jan. 28 performance of Carmen, J’Nai Bridges’ Carmen fits none of these archetypes. She was fully human — … [Read more...]
Young artists do Purcell proud at Palm Beach Opera opener
By Rosie Rogers Although the exact circumstances of the composition of Henry Purcell’s Dido and Aeneas have been contested over the last 30 years, the first verifiable performance of the work was given in London by the students at Josias Priest’s School for Girls in 1689. The lively cast of Palm Beach Opera’s 60th anniversary production of the opera on Dec. 11, made up … [Read more...]
Dozen young singers make for a beautiful PB Opera Liederabend
Another night when Palm Beach Opera beats the virus with an outdoor song recital. This time the venue was the spacious veranda of the well-groomed National Croquet Center. Twelve singers, six each from the Benenson Young Artist and Apprentice Artist programs, were accompanied by the distinguished pianist Ksenia Leletkina, whose doctorate is from the Eastman School of Music … [Read more...]