Was there a better year for slow cinema and Delphine Seyrig than 1975? That was, most famously, the year Jeanne Dielman, reviewed last month here on ArtsPaper, burrowed into theaters and helped change the way movies could be made. Astonishingly, though, it’s not even the most radical Seyrig vehicle to be released that year. That honor goes to India Song, the novelist Marguerite … [Read more...]