Alejandro González Iñárritu’s Birdman dares you to look away. And it does so by never cutting. At least, that’s the way it appears — like one long, continuous, two-hour tracking shot somehow encompassing several days in the narrative, if not weeks. Jaws will drop early and often, especially among cinephiles in the audience, but Birdman isn’t Russian Ark: This visual feat was … [Read more...]