By Márcio Bezerra It is as if Wolfgang Amadeus Mozart was a musical Midas: Every musical genre he touched was elevated by him, including opera. Few other composers (one must think as far back as Monteverdi) prepared the way for the advent of modern (19th century) opera as he did. Therefore, it is always a treat when Palm Beach Opera stage one of his masterworks as it … [Read more...]
PB Opera’s ‘Elixir of Love’: A silly love story, beautifully sung and told
By Rosie Rogers One of the most exciting things about opera is the indulgence and relatability of its heightened emotions, and what’s more relatable than the uncertainty of love? Directed by Fenlon Lamb, Palm Beach Opera’s production of Donizetti’s The Elixir of Love created this relatability by telling a love story that is as earnest as it is silly. Gorgeous lighting … [Read more...]
Amid happy innovations, PB Opera mounts beautiful ‘Bohème’
The pundits tells us life will be different after the pandemic. By switching to outdoor performances Palm Beach Opera may have stumbled on a panoply of new ideas for its future. Using the iThink Financial Amphitheatre at the South Florida Fairgrounds, with singers’s voices slightly enhanced, made for a reproductive quality not usually heard in smaller houses. Also, having … [Read more...]
PB Opera’s ‘Hansel’ makes deft use of small Crest surroundings
By Dennis D. Rooney Those of us who as children read the Grimm Fairy Tales, or better yet, had them read to us, know all about creepy castles, evil forests, wicked stepmothers, wily foxes and sanguinary wolves, ungrateful kings, scheming dwarfs, and other bad actors we came to know from the folk tales collected by Jakob and Wilhelm Grimm in the early 19th century. There … [Read more...]
At PB Opera, a fun ‘Fledermaus’ with an aria surprise
A little Italian magic came as the most unexpected surprise Saturday night during the Palm Beach Opera’s presentation of Johann Strauss II’s operetta Die Fledermaus. Playing Prince Orlofsky en travesti was the celebrated mezzo-soprano Stephanie Blythe, resplendent in Russian battle dress and a white beard. Pressed in Act II to sing something (itself an interpolation into the … [Read more...]
PB Opera scores with stylish, fast-moving ‘Giovanni’
Mozart called his opera Don Giovanni an opera buffa, and his librettist Lorenzo da Ponte called it a “dramma giocoso” (playful drama), but the work’s ending, with its protagonist being swallowed by the earth after the statue of a man he killed comes to dinner and implores him to repent, has seemed to many stage directors of the past two centuries to define the opera as a piece … [Read more...]
Voices carry the day for a ‘Candide’ that tries too hard
The celebration of the Leonard Bernstein centenary is bringing a lot of the composer-conductor’s music back into the public eye, and last weekend at Palm Beach Opera, the company tackled Candide for the second production of its current season. Like all troubled theater works, Candide has had several iterations since its relatively unsuccessful 1956 debut, with multiple … [Read more...]
‘Tosca’ launches Palm Beach Opera season in excellent style
For the first opera of its 2017-18 season, Palm Beach Opera handed its audience a gift. In mounting a box-office surety in Giacomo Puccini’s Tosca, the company was doing its best to make sure it had a sizable audience for its first mainstage production of the year. And on the afternoon of Jan. 28, the Kravis Center house was gratifyingly huge. But in bringing this opera … [Read more...]
‘Pirates’ brings PB Opera season to smart, funny close
The operettas of William Schwenk Gilbert and Arthur Sullivan might not be the kind of touchstone they once were in American culture, but that fact gives professional opera companies room to do the works as they should be done: With thorough fealty to scripts and their often underrated scores. This past weekend, Palm Beach Opera closed its season by fulfilling that mission, … [Read more...]
PB Opera wraps season with Gilbert and Sullivan’s ‘Pirates of Penzance’
Time was when the English comic operettas of William Schwenk Gilbert (words) and Arthur Sullivan (music) were a regular feature of amateur theatrical activity around this country. It had been that way since the late 1870s, when a national craze in the U.S. for one of their shows, H.M.S. Pinafore, monopolized the popular culture, with theater troupes presenting pirated … [Read more...]