Gett: The Trial of Viviane Amsalem begins in a courtroom, and, like 12 Angry Men, never leaves it. But unlike Reginald Rose’s morality play, there are no heroic shifts in conscience or unequivocal denunciations of prejudice in this legal drama. Instead, we become the voyeurs of a wrenching case study of religious chauvinism masquerading as proper litigation, a tunnel of … [Read more...]