In the aftermath of Zero Dark Thirty, you’d think that any film set among the inner workings of the CIA would be a lightning rod for controversy. Not so with Paul Feig’s Spy, a gleeful, anarchic, outrageous sendup of spy-game bombast. The fact that Feig’s presentation of the CIA’s operational compound in Langley, Va. is routinely assailed by CGI bats and mice — and that those … [Read more...]