By Robert Croan Operagoers may think of Mozart’s The Marriage of Figaro as a quaint and old- fashioned, lighthearted comedy. That’s wrong, as audiences will learn when they attend Florida Grand Opera’s revival of the work, which opened at Miami’s Adrienne Arsht Center on Saturday. When Mozart composed his opera in 1786, the play that was its basis was considered so … [Read more...]
Soprano Jones stands out in Wolf songs at FGO Liederabend
By Robert Croan Lied is the German word for song (plural: Lieder). A Liederabend is an evening of German songs, usually the songs of the great 19th and early 20th-century composers – among them Beethoven, Schubert, Richard Strauss and Hugo Wolf. Their songs were the popular music of their time, at first rooted in folksong but eventually expanding in scope to encompass … [Read more...]
Soprano Caballero subs beautifully as Mimi in FGO’s fine ‘Bohème’
By Robert Croan When the rock musical Rent opened on Broadway in 1996, the point of reference for many viewers was Giacomo Puccini’s opera – premiered a century earlier – La Bohème. Jonathan Larson’s musical was an updated version of the opera’s libretto, though with entirely new music. Fast forward two decades: at the Nov. 15 performance of Puccini’s La Bohème in the … [Read more...]
Season Preview 2018-19: Opera
The folks at OperaBase tell us there are more than 25,000 live opera performances across the globe each year, which says something about the durability and resilience of this art form that first saw daylight in 16th-century Florence. Closer to home, the three major opera companies in this region – the Palm Beach and Florida Grand opera companies on the I-95 corridor, and the … [Read more...]
Arts briefs: Alswang to retire from Norton; Danis departs at FGO
WEST PALM BEACH — Hope Alswang, who has led the Norton Museum of Art since April 2010, will retire in March after it reopens following its massive expansion and renovation by the eminent British architect Norman Foster. Alswang, who led a $100 million capital campaign called The New Norton, has overseen an expansion of the institution’s collections, receiving donations of … [Read more...]
FGO’s ‘Florencia’ takes pleasant journey down faux-Puccini river
Continuing with her effort to modernize and update her company, Florida Grand Opera general director Susan Danis closes the troupe’s 77th season with Florencia en el Amazonas, the 1996 magic-realist opera by the late Mexican composer Daniel Catán. Although set in the grandeur of the Amazon River as a boat wends its way to the city of Manaus in northwestern Brazil, Florencia … [Read more...]
FGO’s ‘Orfeo’ too sensitive for Gluck’s own good
Aside from Claudio Monteverdi’s operas, Christoph Willibald Gluck’s Orfeo ed Euridice, which premiered in Vienna in 1762, is the earliest opera in regular repertory. Its abundance of graceful melody, compelling story and absence of the stiffness of the prevailing opera seria put it there, and not incidentally so did its use of orchestral accompaniment in the recitatives … [Read more...]
The eternal beauty of Gluck’s ‘Orfeo’
By Robert Croan Christoph Willibald Gluck’s Orfeo ed Euridice is all things to all people. Prior to the great Baroque revival of the mid-20th century, it was the oldest opera in standard repertory. Since its world premiere in Vienna in 1762, the iconic work has been revised, reworked and tampered with so many times that the work as performed from one opera house to another … [Read more...]
Soprano Chambers makes a splendid Salome for FGO
By Robert Croan “A 16-year-old girl with the voice of Isolde.” That’s how composer Richard Strauss described the requirements for the title part of Salome, his magnificent one-act opera that shocked audiences at its premiere in Dresden in 1905. He was referring to the biblical daughter of Herodias, who danced for the lecherous Herod and in return demanded the head of … [Read more...]
FGO’s ‘Salome’ benefits from strong lead, secondary performances
Today’s menu of visual entertainment encompasses literally everything thanks to digital technology, but even a complicated work of grand opera from more than a century ago still has the power to shock. Richard Strauss’s 1905 opera Salome, based on an Oscar Wilde play that was the last word in decadence at the time, also remains a formidable challenge for any house that wants … [Read more...]