Pablo Berger’s Blancanieves is an art-house trifecta: It’s black-and-white, foreign, and silent, triple the insurance that it will alienate the “average moviegoer.” Which is a shame, because the film, which rescues Snow White from its Disneyfied associations and restores to its Grimm foundations, is filled with exactly the kind of escapist excitement and pure imagination that … [Read more...]