Posthumous fame came very late for the German abbess Hildegard of Bingen, but her rediscovery in the late 20th century some 800 years after she died has been a salutary achievement for the appreciation of early music and the music of women composers. That isn’t to say that Hildegard’s idiom, which consists of her own special style of plainchant, blends smoothly into the … [Read more...]