“Indecent” is both the title of Paula Vogel’s impressionistic chronicle of a 1907 melodrama by novice playwright Sholem Asch, as well as the critical and legal opinion of the work once it arrived on Broadway in the early 1920s. While Vogel’s play serves as a production history of Asch’s God of Vengeance, it is also much more – a portrait of survival of a piece of … [Read more...]