When encountering a fully satisfying musical, it is hard to imagine the difficulties it endured on its way to Broadway. Think of Fiddler on the Roof or Hello, Dolly! – both a shambles in their out-of-town tryouts – or virtually every show by Stephen Sondheim, the musical theater’s pre-eminent composer-lyricist, notoriously slow in completing each score. Such is certainly … [Read more...]