Theodor Geisel, aka Dr. Seuss, was very stingy, almost Grinch-like, with the performance rights to his popular children’s books. But after the Minneapolis Children’s Theatre Company had a big success with a musical version of his 500 Hats of Bartholomew Cubbins, written by its resident playwright Tim Mason, in 1994 the Geisel estate allowed the stage company to adapt his How … [Read more...]