In 1989, Florida Stage introduced us to fledgling playwright Deborah Zoe Laufer and her humorous yet thought-provoking saga of assimilation, The Last Schwartz. Since then, she has produced two handfuls of scripts in South Florida, as well as theaters across the country and around the globe. With her latest effort, The Last Yiddish Speaker, she returns to the theme of Jewish … [Read more...]
Wick’s ‘Fiddler’ stays with tried-and-true, and it works
Wherever the late Jerome Robbins is, he should be smiling down on the Wick Theatre. The Boca Raton stage company has mounted that perennial favorite, Fiddler on the Roof and, as the program acknowledges, Norb Joerder has reproduced Robbins’ original direction and Robert Abdoo has reproduced his original choreography. Many have tried to improve on Robbins’ deft, … [Read more...]
Ageless, universal ‘Fiddler on the Roof’ comes to The Wick
In the early 1960s, when the creators of Fiddler on the Roof were developing a musical about Tevye the dairyman and his rebellious daughters in 1905 Russia, they assumed it would have limited appeal. To their surprise, Fiddler was embraced by theatergoers far beyond the Jewish community, becoming at one point the longest-running show in Broadway history and an … [Read more...]
Female ‘Odd Couple’ falls flat at Boca Stage
In his heyday, Neil Simon would write a new play each season. In 1985, however, when he didn’t have a good idea for a play, he rewrote one of his finest, funniest comedies, The Odd Couple, changing the gender of the characters and tinkering with many of his previously well-crafted laugh lines. While he never asked me for my opinion, I would have advised him with that … [Read more...]
Tragicomic ‘Last Night in Inwood’ gets skillful debut at FAU Theatre Lab
Comedy, as they say, is tragedy that happens to someone else. And the calamities that are happening just beyond an apartment in Inwood, N.Y., and all around the globe — the effects of climate change, economic distress, the rise of white supremacy militias, rioting and looting — are nothing if not calamitous. Yet in Last Night in Inwood, now receiving its world premiere at … [Read more...]
‘Last Night in Inwood’: World premiere play suggests an all-too-real nightmare
The year was 2016 and graduate student Alix Sobler needed to write a play for her master’s thesis. “I write comedy, but the world was in a real state at that moment,” she recalls. “The election between Clinton and Trump was at its height. Things felt really off-balance and I wanted to reflect that onstage in a way that was going to be accessible to audiences.” The … [Read more...]
The Wick’s ‘Milk and Honey’: See it for the music
In 1960, a promising young composer-lyricist was sent to Israel to soak up its atmosphere and culture in order to write a musical set in that plucky new nation. The songwriter was Jerry Herman and the show would be his Broadway debut --- Milk and Honey. It ran for a respectable 543 performances and, of course, has since been overshadowed by such Herman megahits as Hello, … [Read more...]
‘Andy and the Orphans’ deals thoughtfully with Down challenges
If the term “orphans” conjures up those adorable tykes from the musical Annie, playwright Lindsey Ferrentino asks us to adjust our sights and consider the more common situation of adults whose parents have died, leaving them with clean-up chores, both physical and emotional. That is how it is in Ferrentino’s Andy and the Orphans for siblings Maggie (Patti Gardner) and … [Read more...]
Gardner helps lift Simon’s minor ‘Gingerbread Lady’ at Primal Forces
Nine years after he made his Broadway debut with the wisecracking Come Blow Your Horn, long after he was proclaimed the commercial theater’s reigning king of comedy, Neil Simon made a drastic tonal shift with the darkly dramatic The Gingerbread Lady. This tale of an alcoholic nymphomaniac and her emotionally needy friends did have glimmers of the serious Simon of his later … [Read more...]
Dramaworks brings ‘Spitfire Grill’ to life in first-rate fashion
There is a breed of theatergoers who are prejudiced against – and will eager tell you they cannot abide – musicals. Understandably, they gravitate to stage companies like Palm Beach Dramaworks, which built its considerable reputation on the production of classic American plays. But through some calculation that summertime is more fitting for lighter fare, the West … [Read more...]