From Furious 7, Mad Max: Fury Road and Avengers: Age of Ultron to Jurassic World, Spy and Ant-Man, this summer’s rollout of blockbusters has been, to the surprise of this critic at least, creatively robust. It’s about time an expensive, unsalvageable bomb landed on a thousand screens and returned the blockbuster to its comfortable place of intellectual hollowness and artistic … [Read more...]