Having made it through every CGI explosion, glib one-liner and mawkish revelation of Shawn Levy’s The Adam Project (now on Netflix), I feel I owe Moonfall a partial apology. Roland Emmerich’s bonkers apocalypse picture from earlier this year was an embarrassment on every creative and technical front, but at least it embraced its badness. It seemed, like its self-replicating … [Read more...]