Composer Richard Rodgers and lyricist Oscar Hammerstein II have mistakenly acquired a reputation for sentimental musicals, yet this is the team that gave up shows about domestic abuse (Carousel), cross-cultural conflict (The King and I), the rise of Nazism (The Sound of Music) and racial prejudice (South Pacific). Perhaps their misguided reputation stems from the … [Read more...]
Directors seek fresh angles for two 1940s chestnuts
The Maltz Jupiter Theatre and the Wick Theatre are both grappling with a dilemma. Each has selected a classic musical – 1949’s South Pacific and 1947’s Brigadoon, respectively – because of its intrinsic dramatic and musical quality. But how do you approach such a show, knowing that your audience has probably already seen it, often many times over? To director Gordon … [Read more...]