The Orlando Philharmonic’s production Nov. 9 of Mozart’s Le Nozze di Figaro straddled a fine line that divides semi-staged from fully staged performances. These semi-staged productions of the Philharmonic either leave one feeling unsettled, as in this Figaro, or completely satisfied, as with last spring’s Rigoletto. It is a dilemma directors must wrestle with continually: Go … [Read more...]