If Tetro is the 70-year-old Francis Ford Coppola’s final film, it would be an elegant swan song to an accomplished career: an invigorating inhalation of arthouse air to remedy the commercial drudge work to which the director confined himself in the ‘90s. Indeed, the Francis Coppola of the late half of the late ‘00s harkens more to his rebellious, rulebook-eschewing, film … [Read more...]