Kino Lorber recently retrieved three titles from the distributor’s seemingly bottomless well of obscure noirs from the genre’s golden age for yet another impactful box set. The Dark Side of Cinema XXI ($33.22 Blu-ray) features three titles that largely dance around the traditional expectations of noir, mixing its shadowy atmosphere with timely espionage drama and hothouse … [Read more...]
The View From Home: Solondz’s disturbing ‘Happiness,’ and a wry wolfman movie
As director Todd Solondz himself concedes in a bonus interview for Criterion’s long-awaited release of 1998’s Happiness ($34.99 4K, $27.99 Blu-ray, $13.91 DVD), the film “never would have been financed today.” This perspective seems to be the consensus, owing to shifting social mores, to increased institutional adversity to risk, and I suppose to wokeism. Down to brass tacks, a … [Read more...]
The View From Home: Robert Altman’s elegiac parable of early-stage capitalism
So much has been written in the past 50 years about McCabe and Mrs. Miller’s status as an anti-Western that its subversive take on the great American genre now seems like an afterthought. After all, Robert Altman’s restless sense of reinvention — his dismantling of the Western’s dusty romance, weathered machismo and propulsive action — is far easier to accept in the postmodern, … [Read more...]
The View From Home: ‘The Unknown Country’ a sublime entry in the docufiction pantheon
Expect to be taken aback the first time The Unknown Country, a work of ostensible fiction newly released on DVD and Blu-ray ($22, Music Box), abruptly shifts to a documentary. We’ve just watched an actor, Lily Gladstone, stop at a Deadwood diner after a long night of driving. The camera is focused on her, not the loquacious server at the greasy spoon, who in between dispensing … [Read more...]
The View From Home: ‘Hardcore’ is an ethnographic odyssey into a bygone culture
If you feel like you need a shower after watching Paul Schrader’s 1979 crime drama Hardcore (newly reissued on Blu-ray, Kino Lorber, $17.42), then the movie has done its job. Skeevy even by Schrader standards, Hardcore germinated the same year as Scrader’s celebrated screenplay for Martin Scorsese’s Taxi Driver, and it feels cut from the same sordid cloth — and imbued with the … [Read more...]
The View From Home: War and resistance in 1960s Paris
The Second World War, and especially the role of ordinary French civilians in resisting Nazi occupation, would repeatedly inspire René Clément, a journeyman director whose travels often took him onto the front lines of anti-fascist action. World War II or its immediate aftermath would inform his best early works (Battle of the Rails, Forbidden Games, The Walls of Malapaga) as … [Read more...]
The View From Home: Revel in the enduring 3-D schlock of ‘Robot Monster’
3-D movies, the most stubborn fad in cinema, turned 100 last year. Twenty twenty-two marked the centenary of the unremembered 1922 film The Power of Love, released with dual-strip projection and those familiar anaglyph glasses to a presumably gobsmacked audience of Los Angelenos. The technology has, of course, continued to evolve amid peaks and valleys in its popularity. … [Read more...]
The View From Home: A radiant twosome: Coming of age in occupied France, making movies for the sightless
Sometimes, the theme for a View From Home column derives not from a think piece or deep connection on my part but simply from the arbitrary vicissitudes of a distributor’s release schedule. So it was that in my mailbox, within days of each other, I received two foreign-language DVDs from Film Movement that begged to be reviewed together. A Radiant Girl ($20.44) and Radiance … [Read more...]
The View From Home: A challenging experimental twofer from Marguerite Duras
Was there a better year for slow cinema and Delphine Seyrig than 1975? That was, most famously, the year Jeanne Dielman, reviewed last month here on ArtsPaper, burrowed into theaters and helped change the way movies could be made. Astonishingly, though, it’s not even the most radical Seyrig vehicle to be released that year. That honor goes to India Song, the novelist Marguerite … [Read more...]
The View From Home: The minimalist perfection of ‘Jeanne Dielman’
“A lonely widow turns to prostitution to make ends meet.” This one-sentence synopsis offered by HBO Max for its presentation of Jeanne Dielman, 23 Quai Du Commerce, 1080 Bruxelles, is as literally accurate as it as tonally, emotionally, thoroughly misleading. It suggests that Chantal Akerman’s 1977 masterpiece could be a humanist melodrama, the sort of hardscrabble women’s … [Read more...]