The Oath is like a George A. Romero film without the zombies — at least not the literal zombies. Put another way, it’s 1984 for 2018, a cautionary tale for a totalitarian future that casts a penetrating gaze at our proto-fascist present. Whatever your literary-cinematic reference point, comedian Ike Barinholtz’s directorial debut is easily the most confrontational, … [Read more...]