When I started reading Toni Bentley’s Serenade: A Balanchine Story, I wasn’t sure what to make of it. In fact, I wasn’t sure that I was going to continue reading it. I had my suspicion that the tone might be overly reverent, as Bentley was young and impressionable when she joined the ranks of New York City Ballet and was chosen by master choreographer George Balanchine to dance … [Read more...]