So much has been written in the past 50 years about McCabe and Mrs. Miller’s status as an anti-Western that its subversive take on the great American genre now seems like an afterthought. After all, Robert Altman’s restless sense of reinvention — his dismantling of the Western’s dusty romance, weathered machismo and propulsive action — is far easier to accept in the postmodern, … [Read more...]