as Milo Tindle in Sleuth.
MIAMI CITY BALLET: The dancers look like hot-pink-and-white flamingos at play. Or given the season, maybe they’re red Christmas ornaments with a feathery dusting of snow. From either view, costumes for Paul Taylor’s 1982 ballet Mercuric Tidings are half the fun of this lively, poetic celebration set to Schubert. Long-honored nationalistic styles get their due with Balanchine’s very formal Russian Ballet Imperial (1941), and Artistic Director Edward Villella’s decidedly swinging American salute The Fox Trot: Dancing in the Dark (Act III of The Neighborhood Ballroom). The four performances are 8 p.m. Friday; 2 p.m. and 8 p.m. Saturday; and 1 p.m. Sunday, at the Kravis Center. Tickets are $19-$85; call (561) 832-7469 or visit www.kravis.org. – S. McDaniel
LAKE WORTH PLAYHOUSE: Otello opens the “Opera and Ballet in Cinema” a series that runs from Monteverdi to Shostakovich, with Handel and Humperdinck holding up the center. Don’t think New York’s Metropolitan Opera has the monopoly on film. Verdi’s Otello is from the Salzburg Festival with an exceptional young artistic triangle: Latvian tenor Aleksandrs Antonenko and Russian soprano Marina Poplavskaya as the tragic couple of Otello and Desdemona, and Spanish baritone Carlos Alvarez as Iago. Leading the production is the renowned conductor and Verdi specialist Riccardo Muti. It’s on screen at 7 p.m. Wednesday10 (running time is 130 minutes with one intermission; the entire screening ends at 9:30 p.m.). At 6:30 p.m., our own Giuseppe Albanese will introduce the masterpiece. It’s at the Lake Worth Playhouse, 713 Lake Ave. Tickets are $22; call (561) 586-6410 or visit www.lakeworthplayhouse.org. – S. McDaniel