Vital to the vocal interaction between the performers in Allison Gregory’s Red Riding Hood and the preschool and elementary aged audience members at Florida Atlantic University’s Theatre Lab is the tots’ familiarity with the classic fairy tale. Granted that they have never seen it presented in such an offbeat and playful manner, but --- at the opening matinee, at least --- they … [Read more...]
Theatre Lab’s ‘Ronia’ overlong, but captivates young and old
The Holy Grail of family theater is a play that speaks to both youngsters and adults. That is apparently also the quest of The Heckscher Foundation for Children, which is funding an annual production at FAU Theatre Lab. The program kicks off with the U.S. premiere of Allison Gregory’s whimsical Ronia, the Robber’s Daughter, based on the kid lit book by Astrid Lindgren … [Read more...]
Gregory’s ‘Motherland’ compelling, but lacks Brecht’s weight
As Constable Dogberry once observed, “Comparisons are odious.” So do what you can to resist pitting Allison Gregory’s new work, Motherland, in your mind against the play that inspired it, Bertolt Brecht’s Mother Courage and Her Children. The former, a contemporary tale of a wily, maternal ghetto merchant, has plenty to recommend it, but it is lightweight stuff compared to … [Read more...]
‘Motherland,’ at FAU, takes Brechtian look at War on Poverty
Allison Gregory set out to write a play inspired by Bertolt Brecht’s Mother Courage and Her Children, generally considered one of the great stage works of the 20th century. The only thing is she knew almost nothing about it. “I had never read it or seen it. I knew zero about Brecht, really,” concedes Gregory. “I’ve never even seen a Brecht play. I’ve never studied Brecht. … [Read more...]