Far too many evenings of theater leave one hungry for mental nourishment. Then there are the plays of Tom Stoppard, who challenges the brain with heady subject matter and tickles the funny bone with audacious wordplay. Introduced to the world in 1966 with Rosencrantz and Guildenstern Are Dead, his deconstruction of Hamlet by way of Waiting for Godot, Stoppard was long … [Read more...]