In the prologue to Bess Wohl’s Grand Horizons, before we learn that Nancy and Bill French have passed their 50th anniversary, we watch as they wordlessly ready their breakfast as a team, the familiar exercise of a much-married couple. So it is more than a little surprising when the first words out of her mouth are “I think I would like a divorce.” Responding without … [Read more...]
Sharp cast helps lift subpar musical remake of ‘Tootsie’
Men have been dressing up in women’s clothing, for comic effect on stage and in the movies, about as long as those media have existed. In 1982, a committee of writers that included Larry Gelbart and Murray Schisgal kept that tradition alive with a film called Tootsie. It certainly earned its laughs, but it also had something to say, exploring the nature of and differences … [Read more...]
‘Leaving Omaha’ not Lewis’s best, but fine lead actors make it work
Playwright Carter W. Lewis does not have much positive to say about Omaha, the setting of his latest play, now receiving its world premiere at Palm Beach Dramaworks. But in his program notes, the production’s director Bruce Linser suggests that the Nebraska town is merely a microcosm for a nationwide society that has failed to provide the educational, economic and social … [Read more...]
‘The Science of Leaving Omaha’: Downward mobility on the prairie
It is one thing to recognize the dramatic potential in a New York Times article about the disintegration of working-class communities and its devastating toll from one generation to the next, as playwright Carter W. Lewis did. It is quite another thing to make the imaginative leap and turn that material into The Science of Leaving Omaha, about a teenage dropout working in a … [Read more...]
Tragicomic ‘Last Night in Inwood’ gets skillful debut at FAU Theatre Lab
Comedy, as they say, is tragedy that happens to someone else. And the calamities that are happening just beyond an apartment in Inwood, N.Y., and all around the globe — the effects of climate change, economic distress, the rise of white supremacy militias, rioting and looting — are nothing if not calamitous. Yet in Last Night in Inwood, now receiving its world premiere at … [Read more...]
‘Last Night in Inwood’: World premiere play suggests an all-too-real nightmare
The year was 2016 and graduate student Alix Sobler needed to write a play for her master’s thesis. “I write comedy, but the world was in a real state at that moment,” she recalls. “The election between Clinton and Trump was at its height. Things felt really off-balance and I wanted to reflect that onstage in a way that was going to be accessible to audiences.” The … [Read more...]
Wick’s ‘Anything Goes’ a vintage bubbly delight
When the sublime, sophisticated songsmith Cole Porter collaborated with Brits P.G. Wodehouse and Guy Bolton on the enduring confection Anything Goes, the time was 1934, seven years after Show Boat demonstrated that musicals could take on weighty material. Porter and his writing team – which eventually included play doctors Howard Lindsay and Russel Crouse – knew perfectly … [Read more...]
Powerful ‘Time Alone’ at Boca Stage charts two kinds of imprisonment
Anger and pain are the shared emotions that link widow Anna Jackson and convicted killer Gabriel Wayland. They also share the stage — but never the same space — in Alessandro Camon’s powerful play of dueling monologues, Time Alone. Beyond their well-earned rage, these two lost souls have another unexpected connection, revealed only in the final moments of the 90-minute … [Read more...]
‘Sweet Charity’ a sparkling must-see at the Maltz
Sweet Charity, the tale of three-named Charity Hope Valentine, the dance hall hostess with a heart of gold and terrible luck with men, requires a triple-threat performer who can sing, dance and act, seemingly without effort. After all, the show’s original director-choreographer, Bob Fosse, created the show in 1966 for his wife and muse, Gwen Verdon, the reigning female star of … [Read more...]
With strong central performance, Wick’s ‘Cinderella’ still works its magic
Rodgers and Hammerstein’s Cinderella, which first enchanted TV audiences in 1957, is based on a fairy tale by Charles Perrault that has been captivating children of all ages since it was first written in 1697. Nevertheless, when the musical was poised to make its Broadway debut in 2013, playwright Douglas Carter Beane was enlisted to give the script a makeover, injecting … [Read more...]