By Robert Croan In her first two seasons as general director of Florida Grand Opera, Maria Todaro has been particularly successful in enhancing the visual quality of her productions. Noteworthy were her opening Magic Flute in October 2024, a high-tech re-thinking by Jeffrey Marc Buchman of a standard classic; an updated Carmen staged by Todaro, once a successful … [Read more...]
‘Silent Night’ opens FGO season in stellar fashion
By Robert Croan Florida Grand Opera has a real winner in its revival of Kevin Puts’s Pulitzer Prize-winning Silent Night, which opened at Miami’s Adrienne Arsht Center on Nov. 15, and will be repeated in Fort Lauderdale’s Broward Center on Dec. 4 and 6. Commissioned and premiered by Minnesota Opera in 2011, Puts’s opera is based on a real World War I event that inspired … [Read more...]
FGO’s ‘Carmen’ featured fine leads, interesting staging ideas
By Robert Croan For the third and final production of her first season as Florida Grand Opera’s general director and CEO, Maria Todaro took on the multiple tasks of stage director and even costume designer to produce her personal take on Bizet’s perennial favorite, Carmen [seen April 26 at the Broward Center]. A retired mezzo-soprano who was once a successful Carmen … [Read more...]
FGO’s gaming-inspired ‘Magic Flute’ a brilliant take on Mozart
By Robert Croan For her first production as general director and CEO of Florida Grand Opera, Maria Todaro came up with an original, innovative concept of Mozart’s Die Zauberflöte (The Magic Flute) by Jeffrey Marc Buchman, in which the protagonists were present-day teenagers playing immersive fantasy role-playing board games --- something like Dungeons and Dragons, according … [Read more...]
Standout Mimì lifts otherwise adequate ‘Bohème’ at FGO
By Robert Croan Florida Grand Opera’s 2024 version of Puccini’s La Bohème (seen May 2 at the Broward Center) was the 13th production since 1947, which makes it the most frequently performed opera in the company’s history. According to recent surveys, La Bohème is in the top three most frequently performed operas nationwide, as well, and the work lends itself to varied … [Read more...]
FGO reinvigorates, expands ‘Pagliacci’ in gripping production
By Michelle F. Solomon On Valentine’s Day in 1942, tenor and voice teacher Arturo di Filippi, co-founder of the Opera Guild of Greater Miami, the precursor to Florida Grand Opera, produced its first production. It was Ruggero Leoncavallo’s Pagliacci, and it played for only one night at Miami High School. It was groundbreaking because only four years later, The Opera Guild … [Read more...]
Director’s smart touches refresh FGO’s well-sung ‘Traviata’
By Robert Croan Verdi’s La Traviata, as staged for Florida Grand Opera by Chía Patiño [seen at the Broward Center, Nov. 30], contained many original and unusual touches while retaining the opera’s original 19th-century milieu. Early on, in retelling Alexandre Dumas fils’ story of the courtesan who sacrifices her one chance of true love, the consumptive heroine --- … [Read more...]
2023-24 Season in Opera: Area’s companies play it (mostly) safe
It’s fair to say the world of opera is in flux, with the nation’s preeminent company, New York’s Metropolitan Opera, sharply modernizing its repertoire, and locally, with the three opera houses pulling back from innovation somewhat and sticking with box-office certainties. Palm Beach Opera The West Palm Beach-based company opens its 62nd season with the most reliable … [Read more...]
Season Preview 2022-23: The season in opera
South Florida’s two regional opera companies are adding some new things to a lineup heavy in audience favorites, while across the state in Sarasota, the repertory company is returning to an early Verdi masterwork and offering a French rarity. The country’s largest opera troupes are making moves this season into a much more modern direction, with new works, especially … [Read more...]
FGO’s ‘Agrippina’ has fascinating staging, recitative-heavy editing
By Rosie Rogers Florida Grand Opera closed out its season this month with an ambitious production of Handel’s Agrippina. First performed in 1709, the 313-year-old Agrippina is a tongue-in-cheek tale of political ambition and sexual competition. This production made an admirable musical effort inside of an interesting, if somewhat confusing, framing device. This Agrippina … [Read more...]