By Robert Croan In brief but informative prefatory remarks about Mendelssohn’s Elijah, Brett Karlin — conductor and artistic director of the Master Chorale of South Florida — described this grand oratorio as a 19th-century equivalent of a modern Broadway spectacular. It is certainly a major undertaking for a community-based choral organization, and the Chorale’s … [Read more...]
Seraphic Fire tackles challenge of Bach cantata program worthily
By Dennis D. Rooney One of the most memorable aspects of Seraphic Fire’s all-Bach program, which took place Feb. 27 at St. Gregory's Espicopal Church in Boca Raton, was the striking impression made by the large stained-glass sanctuary window behind the singers and players. Two Bach cantatas (Nos. 62 and 147) and the Mass in G minor (BWV 235), composed the program, which … [Read more...]
Splendid ‘Acis and Galatea’ closes Seraphic Fire’s Enlightenment Festival
By Robert Croan “Happy we!”/”Wretched lovers!”/”Galatea, dry they tears!” That’s the plot, in a nutshell, of Acis and Galatea, Handel’s pastorale opera, first performed in London in 1718, given a rare (and splendidly realized) revival by Seraphic Fire to conclude the group’s two-week Enlightenment Festival in South Florida. The shepherd Acis and the sea nymph … [Read more...]
Seraphic Fire’s ‘St. Matthew Passion’ simply glorious
By Robert Croan You don’t have to be a believer to be moved – overcome with emotion, even – by J.S. Bach’s St. Matthew Passion. Although Bach composed this work for a Lutheran Good Friday service in 1727, repeating it with revisions in subsequent years, it has survived as a concert work. Patrick Dupré Quigley, director of Seraphic Fire’s splendid South Florida … [Read more...]
Seraphic Fire opens with brilliant, vigorous Monteverdi
Claudio Monteverdi was a man ahead of his time, a trailblazer in the then-new form of opera and a composer who approached his mostly vocal output with fealty to the words and a concern for their expressive power that was paramount. To begin its 16th season of concerts, the Seraphic Fire choral group presented about an hour’s worth of excerpts from Monteverdi’s 1640 … [Read more...]
World premiere Easter work, Schütz stand out at Seraphic Fire
By Robert Croan Bach’s jubilant, elating Easter Oratorio (BWV 249) was the featured item in advance announcements of Seraphic Fire’s Easter weekend concerts (seen Friday night in Fort Lauderdale’s Sanctuary Church), but in the event, two shorter works on the first half of the program — one brand-new, the other older than Bach — provided the event’s most rewarding moments. … [Read more...]
Strong choral work, fine soloists make Master Chorale’s Haydn one to remember
Horatio, Lord Nelson (1758-1805), by Lemuel Abbott. The Master Chorale of South Florida closed its current season with a remarkably energetic and gritty Haydn mass that said positive things about the chorus and augured good things for its future. Joined by a chamber orchestra from the Lynn Philharmonia in its concert May 1 at Lynn’s Wold Center for the Performing Arts, … [Read more...]